Advantages Acoustics, ambiance, and lustrous history.
Disadvantages Lack of leg room - expect a numb-bum.
There is something 'Windows 95' about a membership database that doesn't compute while ‘updating details’, such as: your correct name. Of course, this happened to me, when a work-experience staff member of the Oxford Playhouse initially added a letter (s) to the end of my surname. This was when I was accepted as an honorary member of the ‘OP Production Database’ – naturally, a proud moment for me but slightly tarnished by being plural – there is only one of me and frankly for the good of the human race I’m glad this is the case. I’m not for cloning either, as I’ll be worried what the other me is thinking – assuming that clones think. After getting the production listings via snail-mail for five years the urge to knock the (s) off the end of my surname became too enticing. I decided to inform the ‘OP’ database staff of this plural error – After forty five minutes of; ‘umming and haahaa-ring’
Architecturally theatres are renowned for incorporating trap-doors and fulcrums into the plans and Maufe the Oxford Playhouse’s architect probably the only one who knows where they all are. Bespoke in erecting monumental, commemorative blocks of ornate architecture – Maufe’s enthusiasm in building a Playhouse that had nooks and crannies, bells and whistles, with a purpose to entertain, must’ve stimulated his creativity. The Playhouse exterior was to be in-keeping with the Beaumont Street design and street plan - and visually Maufe kept to the script; in 1938 the Playhouse was finished. A small eloquent theatre – facilitated with a big heart, this resonated the beauty of Oxford - A place for performance, drama, epitomizing a middle class man’s lounge - albeit, the womb shape Auditorium interior elevated audio from the stage and surrounding vicinity, no lounge has such eccentricities, surely. Acoustically the Oxford Playhouse is ‘sound,’ every morsel of audio is on stage, including the creak of the 'Fire Exit' door.
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